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A while ago I was interviewed under the heading 'Jobs to Die for', where
being a restaurant reviewer was described as one of those jobs. There's
no doubt that old adages and mottoes become a part of our language simply
because they describe eternal truths - the one that springs to mind in
this case is 'the grass is always greener on the other side'. It all depends
on how you write the job description. 'Man wanted to eat brilliant meal
once a week' makes it sound so attractive that I've no doubt half the
country would apply in a trice. But let's do some re-wording and see what
happens. 'Man wanted to take pot luck weekly eating food never previously
encountered' might well get a lot fewer applicants. You'd have to think
a moment or two about your immune system and your digestive capacities.
No room here for the unadventurous and lily-livered. 'Man wanted to eat
a meal once a week anywhere, anytime, all cuisines to be sampled - and
you never get a chance to go back to the places you really like' might
pull in even fewer hopefuls.
I can think of another job that could easily fall into the same category.
If, like my guest this week, you're the film censor, much the same applies.
'Man wanted to spend day watching movies' sounds like a couch potato's
dream. The reality of course, is never as green as when viewed from a
neighbouring field. When <stet>Sheamus Smith started the job of
film censor there were maybe a hundred films a year to see, now there's
four times that and a flood of videos as well. When you have this piece
of information, the couch potato's dream evaporates and you realise that
the job's actually composed of that good old four-lettered word; work.
There was a restaurant that I always intended to visit called Dish, which
used to be in Temple Bar. What with one thing and another I never got
around to going to it in that incarnation, but now it's moved and has
a new premises quite close to Sheamus' office. This little piece of serendipity
was enough to persuade me that the portents were now right for me to review
it - that and the fact that the I Ching said yes, the Tarot said yes,
my inner child said yes and the entrails of the large female goat that
I'd sacrificed had entirely propitious entrails. You can't argue with
that.
Dish has that kind of brushed steel, polished wood and good lighting
that's becoming a look we know in restaurants. Everything seems crisp
and sharp-edged, with the exception of the chairs and banquettes which
are softly upholstered and comfy to sit on. We sat at a window table,
which was handy, since it meant we could watch out for the dreaded scourge
of the clampers. Maybe I've been a culchie for too long, but I still find
something reassuring, maybe even romantic, in city streets at night lit
by the orange glow of the sodium street lamps. There's something pleasing
about this light, especially when it's shining on roads and pavements
wet with rain, the odd figure huddled against the elements casting soft
shadows. Combine that with the late Georgian and early Victorian architecture
of the streets outside and I felt that it somehow epitomised Dublin by
night.
Both the menu and the wine list continue this theme of crisp and uncluttered.
Neither of them is very long, but they are both carefully chosen with
enough choices to give even the pickiest diner enough options. The wine
list has plenty listed under €25 and very little over €30, which
is good to see. It's divided between French and the New World, there are
house wines at €17.50 and there's a selection of half bottles as
well. We settled on a Gewurztraminer from the Alsace, which was listed
at €26.50. To complete the drinks order we ordered mineral water,
which in Dish is Nash's, that long elegant blue bottle that holds half
a litre. At €4.75 a bottle, that's €9.50 a litre, or more than
ten times the price of petrol. Can someone please explain to me why water
costs so much?
The menu is culinary eclectic. There are dishes here from many of the
main ethnic styles. Starters include Basque fish soup with tomatoes and
chilli, Roquefort served with cherry tomatoes and a poached pear, crisp
pork and ginger wontons, duck liver Bourguignon, sautéed scallops
and white beans and salads including a rare beef salad. There's a variety
of pastas and then the main courses, called Entrees, American style.
We found fillet of cod, char-grilled lamb cutlets and organic fillet steak,
monkfish, chicken breast, duckling, and a wild mushroom risotto. Sheamus
chose the duck livers to start and followed with the lamb cutlets, while
I chose the wontons and then the crispy duckling.
When the starters arrived conversation stopped briefly while two hungry
chaps tucked in. Of the two, I much preferred Sheamus's starter of the
duck livers to my wontons - it was prettily presented and very well flavoured.
He did rather well on the main courses as well - maybe his advantage coming
from a few previous meals here, giving him fore-knowledge of the menu.
His main course of lamb cutlets was very good, presented well and cooked
just so. I enjoyed my duck breast as well, and our side order of asparagus
with truffle butter went down particularly well.
A couple of decent espressos finished our meal, which came to €108.60
not including service, which had been excellent throughout the meal. I
liked Dish, it's friendly and smart, but I can't help wondering if a four-plate
meal like ours really ought to break the hundred euro barrier.
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